ArchivesSpace at the University of Iowa

This book was presented at the 2nd Experimental, Sound and Visual Poetry International Meeting organized by Vortice Argentina at Barraca Vorticista. It included the work of 24 mail artists. -- Source of annotation: Marvin or Ruth Sackner.

This publication was conceived as an extension of Assembling. -- Source of annotation: Marvin or Ruth Sackner.

The box containing the objects, prints, drawings, etc. has the visual appearance of a book. -- Source of annotation: Marvin or Ruth Sackner.

The loose sheets, which are folded and of varied dimensions, consist of photomontages of images from newspapers and magazines, along with printed and handwritten texts. -- Source of annotation: Marvin or Ruth Sackner.

Cover was designed by Rea Nikonova. Includes an introduction by Andryczuk and an essay by Pierre Garnier on constructivistic poetry. -- Source of annotation: Marvin or Ruth Sackner.

This book is a posthumous tribute by 61 contributors to the poet, Guillermo Deisler. -- Source of annotation: Marvin or Ruth Sackner.

The translation of the title is "Step of Pedestrians." There were 19 participants in this assembling. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of two books in a paper bag. The Risk is edited by Gunther Ruch and Arte Postale No.62 1990 by Vittore Baroni. The description of Arte Postale can be found in the database under other copies of the periodical. Ruth Wolf-Rehfeldt's contribution reads "My Last Mail Art Action from the GDR" (owing to Glasnost). -- Source of annotation: Marvin or Ruth Sackner.

This assembling was produced by compiling the "favorite visual poems" by the invited contributors. Each poem is accompanied by the poet's own explanations of the works on a facing page. -- Source of annotation: Marvin or Ruth Sackner.

This pagesin this assembling were taken from six periodicals amd books published in East Germany. -- Source of annotation: Marvin or Ruth Sackner.